Blog Archives
Jerry Jemmott Interview
Jerry Jemmott’s groove is the bedrock of B.B. King’s career defining hit, “The Thrill is Gone.” He was in the studio with Duane Allman and Wilson Pickett recording “Hey Jude,” a track that was instrumental in launching Duane’s musical career; and they were together again for Herbie Mann’s Push Push (Atlantic, 1971), Duane’s first and only jazz sessions, and the last full album he recorded prior to his death. He was also there on December 13, 1968, when Mike Bloomfield called an unknown Johnny Winter, up onstage at the Fillmore East—a Friday the 13th that turned out to be Winter’s lucky day.
He was with singer Aretha Franklin when she conquered San Francisco’s hippie community at the Fillmore West in March of 1971.
Jerry Jemmott’s blues credits are truly remarkable: in addition to B.B. King, Freddie King, Mike Bloomfield, Duane Allman, Otis Rush, Johnny Winter, Warren Haynes, and Derek Trucks, there’s his legendary association with Cornell Dupree, Bernard Purdie, and King Curtis. And of course there’s his collaboration with Jaco Pastorius.
In this extensive interview Jerry speaks about all this, as well as his wide-ranging session work for Atlantic Records, and his current gig with blues/rock legend Gregg Allman.
File: https://talking2musicians.files.wordpress.com/2013/01/t2m-podcast-jerry-jemmott-pt-1-of-2.mp3
File: https://talking2musicians.files.wordpress.com/2013/01/t2m-podcast-jerry-jemmott-part-2-of-2.mp3
Matt Slocum Interview & Note
Matt Slocum is a prominent keyboardist on the Southern music scene, best known for his work with Oteil Burbridge, the Lee Boys, and Susan Tedeschi and his role as Jimmy Herring’s go-to keyboard player. Last year he was recruited by Bruce Hampton to join the Aquarium Rescue Unit’s 30 year anniversary tour. He’s also a member of the band King Baby, who just finished recording their first album which will be released this fall on Abstract Logix.
He was born in Massachusetts, where he began studying classical piano at an early age. As a teenager he moved to Alabama and continued his musical education at the Alabama School of Fine Arts. At the 1991 Berklee College of Music Summer Performance Program he was ranked among the the top ten of the attendees.
We get into all of that and more, and listen to some audio of Matt’s superb musicianship playing with Jimmy Herring, Bruce Hampton, and King Baby.
Play audio or download mp3
File: https://talking2musicians.files.wordpress.com/2013/01/t2m-matt-slocum-interview.mp3
Related Video
Matt Slocum, Susan Tedeschi with the Lee Boys doing “Joyful Noise” by the Derek Trucks Band
Robbie McIntosh who started out on classical guitar
Friedrich Gulda & Zawinul
Barbara Dennerlein, Mitch Watkins, Dennis Chambers
Interview with Jimmy Herring part one
Jimmy Herring is one of the world’s premier progressive rock guitarists. In this wide-ranging one hour interview he shares his thoughts on music and his musical influences — from John Scofield, Jimmy Smith, and chicken pickers, to his favorite Howlin’ Wolf song, and lots more.
Interview with Jerry Jemmott, the Groovemaster Part 1
Part 1
Jerry Jemmott’s bass is the foundation of B.B. King’s career defining hit, “The Thrill is Gone.” He was in the studio with Duane Allman and Wilson Pickett recording “Hey Jude,” a track that was instrumental in launching Duane’s musical career; and they were together again for Herbie Mann’s Push Push (Atlantic, 1971), Duane’s first and only jazz sessions, and the last full album he recorded prior to his death. He was also there on December 13, 1968, when Mike Bloomfield called an unknown Johnny Winter, up onstage at the Fillmore East—a Friday the 13th that turned out to be Winter’s lucky day.
Jemmott was with singer Aretha Franklin when she conquered San Francisco’s hippie community at the Fillmore West in March of 1971.
Jerry Jemmott’s blues credits are truly remarkable: in addition to B.B. King, Freddie King, Mike Bloomfield, Duane Allman, Otis Rush, Johnny Winter, Warren Haynes, and Derek Trucks, there’s his legendary association with Cornell Dupree, Bernard Purdie, and King Curtis. And of course there’s his collaboration with Jaco Pastorius.
In this extensive interview Jerry Jemmott speaks about all this, as well as his wide ranging session work for Atlantic Records, and his current gig with blues/rock legend Gregg Allman.
JERRY JEMMOTT – THE GROOVEMASTER part two
PART TWO
Jerry Jemmott’s groove is the bedrock of B.B. King’s career defining hit, “The Thrill is Gone.” He was in the studio with Duane Allman and Wilson Pickett recording “Hey Jude,” a track that was instrumental in launching Duane’s musical career; and they were together again for Herbie Mann’s Push Push (Atlantic, 1971), Duane’s first and only jazz sessions, and the last full album he recorded prior to his death. He was also there on December 13, 1968, when Mike Bloomfield called an unknown Johnny Winter, up onstage at the Fillmore East—a Friday the 13th that turned out to be Winter’s lucky day.
Jemmott was with singer Aretha Franklin when she conquered San Francisco’s hippie community at the Fillmore West in March of 1971.
Jerry Jemmott’s blues credits are truly remarkable: in addition to B.B. King, Freddie King, Mike Bloomfield, Duane Allman, Otis Rush, Johnny Winter, Warren Haynes, and Derek Trucks, there’s his legendary association with Cornell Dupree, Bernard Purdie, and King Curtis. And of course there’s his collaboration with Jaco Pastorius.
In this extensive interview Jerry Jemmott speaks about all this, as well as his wide ranging session work for Atlantic Records, and his current gig with blues/rock legend Gregg Allman.