Blog Archives
Interview with Jaimoe of the Allman Brothers Band
As a 2012 recipient of a Grammy Award for Lifetime Achievement, Jaimoe needs no introduction. He has been a beloved figure on the music scene for over four decades, as a veteran of the R&B circuit with Otis Redding, Percy Sledge and Joe Tex, and as a founding member of the legendary Allman Brothers Band and the critically acclaimed band Sea Level.
In late 2011 his Jaimoe’s Jasssz Band released Renaissance Man (Lil’Johnieboy Records, 2011), an album that is generating well-deserved praise and a lot of buzz. We talk about his band, Otis Redding, his friendship with Noel Redding, Jimi Hendrix, Clapton and much more.
Interview with Jerry Jemmott, the Groovemaster Part 1
Part 1
Jerry Jemmott’s bass is the foundation of B.B. King’s career defining hit, “The Thrill is Gone.” He was in the studio with Duane Allman and Wilson Pickett recording “Hey Jude,” a track that was instrumental in launching Duane’s musical career; and they were together again for Herbie Mann’s Push Push (Atlantic, 1971), Duane’s first and only jazz sessions, and the last full album he recorded prior to his death. He was also there on December 13, 1968, when Mike Bloomfield called an unknown Johnny Winter, up onstage at the Fillmore East—a Friday the 13th that turned out to be Winter’s lucky day.
Jemmott was with singer Aretha Franklin when she conquered San Francisco’s hippie community at the Fillmore West in March of 1971.
Jerry Jemmott’s blues credits are truly remarkable: in addition to B.B. King, Freddie King, Mike Bloomfield, Duane Allman, Otis Rush, Johnny Winter, Warren Haynes, and Derek Trucks, there’s his legendary association with Cornell Dupree, Bernard Purdie, and King Curtis. And of course there’s his collaboration with Jaco Pastorius.
In this extensive interview Jerry Jemmott speaks about all this, as well as his wide ranging session work for Atlantic Records, and his current gig with blues/rock legend Gregg Allman.
JERRY JEMMOTT – THE GROOVEMASTER part two
PART TWO
Jerry Jemmott’s groove is the bedrock of B.B. King’s career defining hit, “The Thrill is Gone.” He was in the studio with Duane Allman and Wilson Pickett recording “Hey Jude,” a track that was instrumental in launching Duane’s musical career; and they were together again for Herbie Mann’s Push Push (Atlantic, 1971), Duane’s first and only jazz sessions, and the last full album he recorded prior to his death. He was also there on December 13, 1968, when Mike Bloomfield called an unknown Johnny Winter, up onstage at the Fillmore East—a Friday the 13th that turned out to be Winter’s lucky day.
Jemmott was with singer Aretha Franklin when she conquered San Francisco’s hippie community at the Fillmore West in March of 1971.
Jerry Jemmott’s blues credits are truly remarkable: in addition to B.B. King, Freddie King, Mike Bloomfield, Duane Allman, Otis Rush, Johnny Winter, Warren Haynes, and Derek Trucks, there’s his legendary association with Cornell Dupree, Bernard Purdie, and King Curtis. And of course there’s his collaboration with Jaco Pastorius.
In this extensive interview Jerry Jemmott speaks about all this, as well as his wide ranging session work for Atlantic Records, and his current gig with blues/rock legend Gregg Allman.
Talking2Musicians 